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MUSIC
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AAR EDITION INTERNATIONAL

 

The Physiology and the Soul of Music

 

 

 

 

 


The Function of Supreme Musical Knowledge

 

 

 


The Musical Path of Knowing into the Deepest Depths of the Musical Meaning

 


The Absolute
Force-Field of True Musical Knowledge

PART   XI

The True Organs
of Finding Truth in Music

For musical cognition proper the sense of hearing is not at all required.
It only provides our actual organs of musical knowing – our self-consciousness, and our intellect endowed with feeling and understanding – with the sounding information about the tones.

However, just as within someone's physiology his soul is liv-ing, within the tones the soul of music is living.
And just as the soul enlivens man from within and moves him, the coordinated powers of forming, i.e. motif, melody, se-quence, and harmony pervade the musical sound-space as the soul of music, and set it vibrating lively.

During creative music listening where, owing to the condensa-tion of our intellect, we identify ourselves with our self-aware-ness to a much greater extent than with our outer organ of hearing, the supreme musical knowledge is the experience of the harmony, and this experience brings about an integration of the self-awareness with our intellect.
Through this integration we raise our intellect to the same status of high structural density which our self-awareness naturally possesses.

If we further increase the immediacy of our musical exper-ience by raising our self-awareness in its density to the highest possible state ever – by raising our individual self-awareness, by virtue of the musical logic, to the state of our universal self – then we attain the deepest depths of the musical meaning: with our faculty of knowing we reach the infinite musical force-field of the harmony.

Here, in the world of the harmony, lies the absolute field of true, immediate cognition in music.
Any further musical cognition, i.e. located further outside, is of only mediate nature to us.

 

                                                                                 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


© AAR EDITION INTERNATIONAL 1982

 

INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC
a useful connection
science                  music                     art
P E T E R   H Ü B N E R  –  N AT U R A L   M U S I C   H E A R I N G

NATURAL
MUSIC HEARING

FOREWORD

OUVERTURE

XI
INDIRECT AND
DIRECT GAINING
KNOWLEDGE
IN MUSIC

Ancient Truths
in Music

The Golden Net of
Knowledge in Music

The Great Musical
Sense of Achievement

The Organs of
Cognition in the
Process of Gaining

Knowledge in Music

Necessity of the
Neurophysiological

Integration

The Performance of the Self-Awareness in the
Musical Process of
Knowing

The Self-Awareness
Systematically

Practises
Self-Identification

Insight into the Basis
of Music

Fundamentals of
Modern Musicology

Limitations of
Conventional Musical
Education

Increase of
Performance of the
Intellect in Music

The Eigenfunction of
the Intellect as the

True Musical Creator

The Journey to the
Eternal Sources of
Music

The Highest
Intellectual
Achievement
Possible to Man

Authentic Successful
Musicology

The Music Listener
at
the Origin of All
Creative Thinking

Purposeful
Development of
Performance in the
Field of our

Neurophysiology

The Musician and His
Surroundings

The True Organs of
Finding Truth in Music

 

 

 

PART   XI