Integrated mechanics
of the combination
of unvoiced consonant and idea
in the musical fields of knowledge
Universal analysis
of the combination of unvoiced consonant and idea
in the musical process of knowing – 7.3.2.11.00
.
in the acoustic space
. in the musical tone-space
. in the musical motif-space
. in the musical sequence-space
. in the musical harmony-space
SEMINAR
7.3.2.11.01
Integrated mechanics of the combination of unvoiced consonant and idea
at the transition from the force-field of the acoustic space to the field
of our neurophysiology
7.3.2.11.02
Integrated mechanics of the combination of unvoiced consonant and idea
at the transition from the field of our neurophysiology to the force-field
of our mind
7.3.2.11.03
Integrated mechanics of the combination of unvoiced consonant and idea
at the transition from the force-field of our mind to the field of our inner
voice
7.3.2.11.04
Integrated mechanics of the combination of unvoiced consonant and idea
at the transition from the field of our inner voice to the field of knowledge
of the musical tone-space
7.3.2.11.05
Integrated mechanics of the combination of unvoiced consonant and idea
at the transition from the field of knowledge of the musical tone-space
to the field of knowledge of our hearing
7.3.2.11.06
Integrated mechanics of the combination of unvoiced consonant and idea
at the transition from the field of knowledge of our hearing to the field
of knowledge of the musical motif-space
7.3.2.11.07
Integrated mechanics of the combination of unvoiced consonant and idea
at the transition from the field of knowledge of the musical motif-space
to the field of knowledge of our understanding
7.3.2.11.08
Integrated mechanics of the combination of unvoiced consonant and idea
at the transition from the field of knowledge of our understanding to the
field
of knowledge of the musical sequence-space
7.3.2.11.09
Integrated mechanics of the combination of unvoiced consonant and idea
at the transition from the field of knowledge of the musical sequence-space
to the field of knowledge of our feeling
7.3.2.11.10
Integrated mechanics of the combination of unvoiced consonant and idea
at the transition from the field of knowledge of our feeling to the field
of knowledge of the musical harmony-space
7.3.2.11.11
Integrated mechanics of the combination of unvoiced consonant and idea
at the transition from the field of knowledge of the musical harmony-space
to the field of knowledge of our intellect
7.3.2.11.12
Integrated mechanics of the combination of unvoiced consonant and idea
at the transition from the field of knowledge of our intellect to the field
of knowledge of our self-awareness
© Aar Edition International, 1986
Seminar
Series 7.3.2.01.00 – 7.3.2.26.00
Integrated
mechanics of the combination
of basic sound &
basic idea
Overtone
spectrum
of the sound
& idea derivation
Periodic
vibration
of the sound
& periodic idea chain
Combination
of the vibration sequence of the sound & the idea sequence
Aperiodic
vibration
of the sound
& aperiodic idea chain
Eigenfunction
of idea
& voiced consonant
Eigenfunction
of idea
& unvoiced consonant
Eigenfunction
of idea
& formants
Eigenfunction
of the overtone mechanics
of idea & sound
Eigenfunction
of the decays of idea
& sound
Eigenfunction of the attacks of idea & sound
Eigenfunction
of the aperiodic idea chain
& aperiodic vibration
of the sound
Eigenfunction
of the idea sequence
& vibration sequence
of the sound
Eigenfunction
of the periodic idea chain
& the periodic vibration
Eigenfunction
of the idea derivation
& overtone spectrum
of the sound
Eigenfunction of basic idea & basic sound