Creating the unvoiced
consonant in the
musical force-fields
Synthesis of the
unvoiced consonant in the musical process
of creating – 7.2.6.03.00
. in the musical harmony-space
. in the musical sequence-space
. in the musical motif-space
. in the musical tone-space
. in the acoustic space
SEMINAR
7.2.6.03.01
Creating the unvoiced consonant at the transition from the force-field of
our self-awareness to the force-field of our intellect
7.2.6.03.02
Creating the unvoiced consonant at the transition from the force-field of
our intellect to the force-field of the musical harmony-space
7.2.6.03.03
Creating the unvoiced consonant at the transition from the force-field of
the musical harmony-space to the force-field of our feeling
7.2.6.03.04
Creating the unvoiced consonant at the transition from the force-field of
our feeling to the force-field of the musical sequence-space
7.2.6.03.05
Creating the unvoiced consonant at the transition from the force-field of
the musical sequence-space to the force-field of our understanding
7.2.6.03.06
Creating the unvoiced consonant at the transition from the force-field of
our understanding to the force-field of the musical motif-space
7.2.6.03.07
Creating the unvoiced consonant at the transition from the force-field of
the musical motif-space to the force-field of our hearing
7.2.6.03.08
Creating the unvoiced consonant at the transition from the force-field of
our hearing to the force-field of the musical sound-space
7.2.6.03.09
Creating the unvoiced consonant at the transition from the force-field of
the musical sound-space to the field of our inner voice
7.2.6.03.10
Creating the unvoiced consonant at the transition from the field of our
inner voice to the force-field of our mind
7.2.6.03.11
Creating the unvoiced consonant at the transition from the force-field of
our mind to the field of our neurophysiology
7.2.6.03.12
Creating the unvoiced consonant at the transition from the field of our
neurophysiology to the force-field of the acoustic space
© Aar Edition International, 1986
Seminar Series 7.2.6.01.00 – 7.2.6.13.00
Creation
of sound –
vowel & consonant
Creating
the
unvoiced consonant
Creating
the
overtone mechanics
Creating
the decay
of the sound
Creating
the attack
of the sound
Creation
of the aperiodic vibrations
of the sound
Creation
of the
wave sequences
of sound
Creation the periodic vibration of the sound