Creating the attack
of the idea in the
musical force-fields
Synthesis of the
attack of the idea in the musical process
of creating – 7.2.4.03.00
. in the musical harmony-space
. in the musical sequence-space
. in the musical motif-space
. in the musical tone-space
. in the acoustic space
SEMINAR
7.2.4.03.01
Creating the attack of the idea at the transition from the force-field of
our self-awareness to the force-field of our intellect
7.2.4.03.02
Creating the attack of the idea at the transition from the force-field of
our intellect to the force-field of the musical harmony-space
7.2.4.03.03
Creating the attack of the idea at the transition from the force-field of
the musical harmony-space to the force-field of our feeling
7.2.4.03.04
Creating the attack of the idea at the transition from the force-field of
our feeling to the force-field of the musical sequence-space
7.2.4.03.05
Creating the attack of the idea at the transition from the force-field of
the musical sequence-space to the force-field of our understanding
7.2.4.03.06
Creating the attack of the idea at the transition from the force-field of
our understanding to the force-field of the musical motif-space
7.2.4.03.07
Creating the attack of the idea at the transition from the force-field of
the musical motif-space to the force-field of our hearing
7.2.4.03.08
Creating the attack of the idea at the transition from the force-field of
our hearing to the force-field of the musical sound-space
7.2.4.03.09
Creating the attack of the idea at the transition from the force-field of
the musical sound-space to the field of our inner voice
7.2.4.03.10
Creating the attack of the idea at the transition from the field of our
inner voice to the force-field of our mind
7.2.4.03.11
Creating the attack of the idea at the transition from the force-field of
our mind to the field of our neurophysiology
7.2.4.03.12
Creating the attack of the idea at the transition from the field of our
neurophysiology to the force-field of the acoustic space
© Aar Edition International, 1986