Integrated creation
of the overtone mechanics
of the idea, the sound and the tone in the musical force-fields
Synthesis of the
overtone mechanics of the idea, the sound and the tone in the musical process
of creating – 7.2.1.06.00
.
in the musical harmony-space
. in the musical sequence-space
. in the musical motif-space
. in the musical tone-space
. in the acoustic space
SEMINAR
7.2.1.06.01
Integrated creation of the overtone mechanics of the idea, the sound and
the tone at the transition from the force-field of our self-awareness to
the force-field of our intellect
7.2.1.06.02
Integrated creation of the overtone mechanics of the idea, the sound and
the tone at the transition from the force-field of our intellect to the
force-field of the musical harmony-space
7.2.1.06.03
Integrated creation of the overtone mechanics of the idea, the sound and
the tone at the transition from the force-field of the musical harmony-space
to the force-field of our feeling
7.2.1.06.04
Integrated creation of the overtone mechanics of the idea, the sound and
the tone at the transition from the force-field of our feeling to the force-field
of the musical sequence-space
7.2.1.06.05
Integrated creation of the overtone mechanics of the idea, the sound and
the tone at the transition from the force-field of the musical sequence-space
to the force-field of our understanding
7.2.1.06.06
Integrated creation of the overtone mechanics of the idea, the sound and
the tone at the transition from the force-field of our understanding to
the force-field of the musical motif-space
7.2.1.06.07
Integrated creation of the overtone mechanics of the idea, the sound and
the tone at the transition from the force-field of the musical motif-space
to the force-field of our hearing
7.2.1.06.08
Integrated creation of the overtone mechanics of the idea, the sound and
the tone at the transition from the force-field of our hearing to the force-field
of the musical sound-space
7.2.1.06.09
Integrated creation of the overtone mechanics of the idea, the sound and
the tone at the transition from the force-field of the musical sound-space
to the field of our inner voice
7.2.1.06.10
Integrated creation of the overtone mechanics of the idea, the sound and
the tone at the transition from the field of our inner voice to the force-field
of our mind
7.2.1.06.11
Integrated creation of the overtone mechanics of the idea, the sound and
the tone at the transition from the force-field of our mind to the field
of our neurophysiology
7.2.1.06.12
Integrated creation of the overtone mechanics of the idea, the sound and
the tone at the transition from the field of our neurophysiology to the
force-field of the acoustic space
© Aar Edition International, 1986
Seminar
Series 7.2.1.01.00 – 7.2.1.13.00
Creation
of idea,
sound & tone
Creation
of idea,
voiced consonant & sound
Creation
of iIdea, unvoiced consonant
& tone
Creation
idea derivation,
the formants & the overtone spectrum
Creation
of idea,
the vowel & the tone
Creation of overtone mechanics of the idea, the sound & the tone
Creation
of the decays
of the idea, the sound & tones
Creation of the attacks of the idea, the sound & the tone
Creation
of the aperiodic Idea chain
& the aperiodic vibrations of sound
& tone
Creation
of the Idea sequence & the
wave sequences
of sound & tone
Creation of the periodic Idea chain & the periodic vibrations of sound & tone
Creation of the Idea derivation & the overtone spectra of sound & tone
Creation of basic Idea, basic sound & basic tone