Study of the overtone
mechanics of the combination of tone and idea
in the musical fields of knowledge
Analysis of the overtone
mechanics of the combination of tone and idea
in the musical process of knowing – 7.1.5.08.00
SEMINARS
7.1.5.08.01
Study of the overtone mechanics of the combination of tone and idea at
the transition from the force-field of the acoustic space to the field
of our neurophysiology
7.1.5.08.02
Study of the overtone mechanics of the combination of tone and idea at
the transition from the field of our neurophysiology to the force-field
of our mind
7.1.5.08.03
Study of the overtone mechanics of the combination of tone and idea at
the transition from the force-field of our mind to the field of our inner
voice
7.1.5.08.04
Study of the overtone mechanics of the combination of tone and idea at
the transition from the field of our inner voice to the field of knowledge
of the musical tone-space
7.1.5.08.05
Study of the overtone mechanics of the combination of tone and idea at
the transition from the field of knowledge of the musical tone-space to
the field
of knowledge of our hearing
7.1.5.08.06
Study of the overtone mechanics of the combination of tone and idea at
the transition from the field of knowledge of our hearing to the field
of knowledge of the musical motif-space
7.1.5.08.07
Study of the overtone mechanics of the combination of tone and idea at
the transition from the field of knowledge of the musical motif-space
to the field
of knowledge of our understanding
7.1.5.08.08
Study of the overtone mechanics of the combination of tone and idea at
the transition from the field of knowledge of our understanding to the
field
of knowledge of the musical sequence-space
7.1.5.08.09
Study of the overtone mechanics of the combination of tone and idea at
the transition from the field of knowledge of the musical sequence-space
to the field of knowledge of our feeling
7.1.5.08.10
Study of the overtone mechanics of the combination of tone and idea at
the transition from the field of knowledge of our feeling to the field
of knowledge
of the musical harmony-space
7.1.5.08.11
Study of the overtone mechanics of the combination of tone and idea at
the transition from the field of knowledge of the musical harmony-space
to the field of knowledge of our intellect
7.1.5.08.12
Study of the overtone mechanics of the combination of tone and idea at
the transition from the field of knowledge of our intellect to the field
of knowledge of our self-awareness
© Aar Edition International, 1986