intelligence           creativity               harmony
    
    
a useful connection
Site Map
about us
MUSIC
R & D
AAR EDITION INTERNATIONAL
PART   IX
THE SECRET OF MUSIC

 

Directing the Music by Means of
the Instrument

 

 

 

 

 

 


Indestructibility of the Musical Statement


Freedom and
Non-Freedom of
the Interpretation
in Music

 


Music Creators as Wise Knowers of
the Musical Scene

 

 

 

 

The Official and
the Secret Knower
of Reality

The Technique of Conveying Truth
in Music

The music poet's deep insight into the existing human deficiencies is the reason why he has succeeded in magically producing this perfect, creative knowledge through music in his listener – regardless of the qualification of the performer.

In the score he has instructed the musician only how to use the instrument – in an almost mechanical manner.
The musical script he has used indeed includes the meaning, the semantics, the musical sense, but as a script it is not at all related to the semantics as such.

From the composer's score, therefore, the musician could glean only hints for the use of his instrument, and by implementing them in detail the musical statement resulted all by itself.

Being developed by the great poets of music, this musical script, this kind of encipherment fortunately disallowed the interpreter to seriously destroy the musical statement, or to fundamentally change it.

Given the conventional way of writing, the mechanical reading of the musical script rules out such risk. Likewise, due to its mechanical function, a computer is not aware of the meaning of the data which it stores and transmits, and there is no need for it to be so.
But still it is possible and common indeed, to transmit with its help a meaningful message.

So, the great creators of music knew how to convey over great spans of time the knowledge contained in their sounding poetry to the listener – despite severe interpretational inadequacies.

This is not at all to say that a musician or an interpreter is not able to have such creative musical experience, too; it only means that – contrary to popular notion – while controlling the instrument as prescribed to him, he need not be able to make a deep musical experience in order to introduce a true music lover to the reality of music.

This reminds of standing before a child, wondering and becoming aware of the creative potential manifest in it, while the child's uncle, who leads it by the hand, has no sense of such wonder.

 

                                                                                 

 

 


© AAR EDITION INTERNATIONAL 1982

 

 

a useful connection
science                  music                     art
P E T E R   H Ü B N E R  –  N AT U R A L   M U S I C   H E A R I N G

NATURAL
MUSIC HEARING

FOREWORD

OUVERTURE

IX
THE SECRET
OF MUSIC

The Secret Exchange
of Experiences
of the Listener
with the Creative Form
of the Music Creator

The Great Musical
Turning-Point

The Father of the
World-Creators
in
Music

The Technique of
Conveying Truth
in Music

The Fires of Cognition
of Music

Step by Step the
Social Awareness
Awakens in the
Listener

Knowing Unity
in Music

PART   IX