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MUSIC
R & D
AAR EDITION INTERNATIONAL
PART   VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC

 

The Listener's Quest for More Comprehensive Truth


The Musical Answer to the Quest for More Comprehen-sive Truth


Step by Step the Listener Strives for Higher Musical Knowledge



Step by Step the Musical Tools of Cognition Awaken

 

 



Desire and Fulfilment of Desire Unified in the Harmony



Question and Answer Unified in the Absolute Now of the Harmony

 


The Creative Music Listener Localizes His Ideal Field of the Pure Fulfilment of Desires

The Answer Being Equivalent
to the Question in Music

In our process of gaining knowledge in music, again and again we looked for more comprehensive truth.
Practically, this meant that in the field of our feeling and understanding we were aspiring to the state of greater and greater fulfilment.

The answer to this question we then received on a correspon-dingly higher level of musical cognition, in the experience of deeper, quieter happiness in our feeling, and in the experience of more restful alertness on the level of our understanding.

So, in this process of knowing, we started off from a given status quo of our knowledge, or of our fulfilment respectively, and step by step we aspired to higher knowledge, or fulfilment respectively; we strove for certain goals and reached them, and we strode on to the next goal, and reached it as well.

One by one, we went through different strata of knowledge, and we arrived at correspondingly different stages of intellec-tual and emotional fulfilment. We saw the strata of knowledge as being separated in space, and we experienced our stages of knowledge as being separated in time; and between our different stages of knowledge there was a new phase in our process of knowing, and it meant an increase of our state of fulfilment.

Now, in the field of the harmony, we realize that the desire, the process of its fulfilment, and the completely fulfilled desire are one; and we realize that this phenomenon is based on the natu-re of this infinite force-field of the harmony – based on the nature of our own pure self-awareness.

Now, in this perfect world of experience so new to us, we find that with our question for truth the comprehensive answer is already given, that with a desire for fulfilment simultaneously fulfilment itself arises overwhelmingly in our world of experience – without a separation in space or in time. For this supreme musical process of knowing so new to us proceeds completely beyond space and time.

While, in the field of the musical sound-space, we still experi-enced the question and the answer for the musical meaning as very distinct from one another, these two components of gaining knowledge began to grow closer together in our inner space of imagination as we experienced the motif-space; and in the sequence-space then, question and answer had already come quite close to each other.
In the infinite space of the harmony the question and the answer for the musical meaning melted into unity, and we realized that this level of our pure self-awareness is the ideal, pure field of our fulfilment of desires.

 

                                                                                 

 

 


© AAR EDITION INTERNATIONAL 1982

 

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P E T E R   H Ü B N E R  –  N AT U R A L   M U S I C   H E A R I N G

NATURAL
MUSIC HEARING

FOREWORD

OUVERTURE

VII
ERRORS IN GAINING
KNOWLEDGE
IN
MUSIC

The Fallacy in Gaining
Knowledge in Music

No Deduction in the
Absolute Musical
Force-Field of the
Harmony

The Contradictory in
Gaining Knowledge in
Music

The Answer Being
Equivalent to the
Question in Music

The Level of Perfect
Creativity of the
Absolute
Tone-Substance

The Unproved in
Gaining Knowledge in

Music

The Secret Rulers of
the Tonal Stars of

Music

The Secret Ruler
of All
Music

Knowing the Unreality
of the Outer Musical
Happening

The Belated





PART   VII