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MUSIC
R & D
AAR EDITION INTERNATIONAL

 

 

 

The Journey from the Musical Sound-Space to the Absolute Music-World of the Harmony

 

 


Introducing the Listener to Pure Self-Awareness

 


Cognition of the Original Order of the World

 

 

 

 

Man Challenging Fate

 


Harmonizing Function of Music

 

 

Experiencing Harmony with the Almighty Laws of Nature

 

PART   III

The Intention
of Conveying Truth in Music

In his musical work the composer pursues a clearly defined intention: step by step he wants to make his listener familiar with the liberating world of self-awareness, and he achieves it by directing the musical flow in such a way that – starting from the musical sound-space – his listener is taken in steps through the motif and sequence-spaces into the infinite space of the harmony.

As the listener reaches this unlimited musical space of the harmony, he arrives simultaneously at himself and locates the dynamic musical fullness of his own self-awareness.

So, the purpose of the classical musical work lies in glorifying self-awareness – the natural creative realm of the composer; and the intent of the musical creator lies in introducing the listener to the experience of pure self-awareness. To achieve this he employs the means of music.

Unperturbed the musical creator pursues this goal.
He guides the listener through the beauty of the world and brings him closer to that harmony by which the world is organized from its origin.

This intention is quite understandable – particularly at a time when, as a result of human misbehaviour, the environment appears hostile here and there, and the reality of life, originally harmoniously designed, appears distorted to those who do not understand the reasonably organized relationship between cause and effect.

Owing to this distorted picture of nature, which actually functions fully in support of life, man quarrels with his fate.
And either he stands against nature, or he thinks he should and could outwit this almighty force by means of technical devices – so-called "achievements."

The classical composer educates the music listener as to the senselessness of such illusion – on which, after all, the entire technical civilization with all its human incompetence is based – and shows him practical means and passable ways of placing himself and his action into harmony with nature almighty.

Musically-technically, this educational process starts from the unfoldment of the motif, continues into the sequence-space, and finds its conclusion in the space of the harmony.
On the level of the harmony the listener is permeated by the values of the absolute sound-substance, and he experiences his personal life totally in tune with the omnipotent laws of nature; indeed, he even realizes that in his creative act – which results logically from the musical process of cognition – he is the legitimate ruler over nature.

And from this new standpoint within his self-knowledge, he even regards nature as his intimate companion on his way, who is very naturally inclined towards his desires and fulfils them.

 

                                                                                

 


© AAR EDITION INTERNATIONAL 1982

 

 

 

IMMORTAL AND MORTAL TRADITION OF MUSIC
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science                  music                     art
P E T E R   H Ü B N E R  –  N AT U R A L   M U S I C   H E A R I N G

NATURAL
MUSIC HEARING

FOREWORD

OUVERTURE

III
IMMORTAL AND MORTAL TRADITION OF MUSIC

The Measure of Musical Perfection

The Freedom of the
Musical Meaning

Doubt in the Process
of Finding Musical
Truth

Producing Heat and
Cold in Music

The Harmonizing
Nature of True

Classical Music

The Intention of Conveying Truth in
Music

The Totality of All Happiness of Life in Mind

 

 

PART   III