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MUSIC
R & D
AAR EDITION INTERNATIONAL

 

 

 

The Musical Systems of Order as Fields of Description of Reality

 



Physics in Music

 

 

 

 

 


Atom Physics in Music

 


B
udding Life in Music

 

 


The Mental-Emotional Element in Music

PART   I
The Fields of Knowledge
of the Musical Representation

Hence, music depicts the cognitive field of our ecology in the force-field of its musical sound-space.
In its motif-space, it portrays the field of our individual knowledge; in the musical force-field of the sequence-space it explains the realm of our social world of knowledge.
In yet a higher, or better: unworldly, sense music depicts the perfect functioning of nature in its wholeness in the space of the harmony.

The musical sound-space can be compared to our physiology, and the tones displayed in it correspond to the atoms and molecules of our physiology.
The inner structure of the tones corresponds to the inner structure of the atoms, and the manifold relations of tones are an equivalent of the molecular structures in nature.

The stable atom is represented by the periodical vibration, and the mastery over the atomic structure appears in the resounding form of the controlled aperiodical vibration.
The uncontrolled aperiodical vibration symbolizes the atom as it grows or decays.

The power over the atoms which physics, for example, attempts or exercises in nuclear fission, is equivalent to the musical seizing power over the microcosm of the musical sound-space, which lies in the integrated mastery of the overtone-mechanics.

The manifold, larger combinations of atoms and molecules are represented by the homophony by means of sums of periodic vibrations which correspond to the structure of crystals or to the crystal structure of the elements in nature.
The more complex combinations of tones in the musical form-field between homophony and polyphony correspond to the organisms of living beings.

Polyphony describes the infinite change of the elements and in this respect, the element which lies at the basis of the physical: the mental-emotional.

 

                                                                                

 


© AAR EDITION INTERNATIONAL 1982

 

 

THE OBJECT OF GAINING KNOWLEDGE IN MUSIC
a useful connection
science                  music                     art
P E T E R   H Ü B N E R  –  N AT U R A L   M U S I C   H E A R I N G

NATURAL
MUSIC HEARING

FOREWORD

OUVERTURE

I
THE OBJECT
OF GAINING KNOWLEDGE
IN MUSIC

The System of the
Fields of Knowledge in Music

The Funciton of the Fields of Cognition in Music

Immediate Knowledge
of the Musical Meaning

The Structure of the Fields of Cognition in Music

The Fields of Knowledge of the Musical Representation

Patterns of Perfect
Education in Music

 

 

PART   I