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MUSIC
R & D
PART  VII
CLASSICAL
MUSIC CREATION

I
THE PROCESS OF
CREATING MUSIC

II
THE CLASSICAL
TEACHING SCOPE

OF MUSIC

III
THE INNER
MECHANICS OF
CREATING MUSIC

IV
DIDACTICS
OF MUSIC

V
THE FORCE-FIELDS
IN MUSIC

VI
THE PURPOSE OF
MUSIC TRADITION

VII
SPACE AND TIME
IN MUSIC

VIII
THE PHYSICS
OF MUSIC

IX
THE SYSTEMS
OF ORDER IN MUSIC

X
SCIENTIFIC FUNDAMENTALS
OF MUSIC AESTHETICS

XI
THE SCIENCE
OF MUSIC

XII
MUSIC & SPEECH

 

 

SPACE AND TIME IN MUSIC

 

 The Concept of Space in Music

 The Two Ways of Experiencing Space

 Space-Experience in the Microcosm
    of Music

 Space-Time Integration in Music

 Space-Time Fusion through
    the Integration of the Musical Spaces

 The Integrated Play of Time and Space

 The Potential of the Musician

 The Relationship of Rhythm and Tonality

 Field of Cognition – Enlivened Silence

 The Core of Practising the Art of Music

 Conventional and Modern Mechanisms
    of Musical Performance

 

 

 

 

 

 


 

 

 

© AAR EDITION INTERNATIONAL 1982

 

 

 

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THE IMMORTAL ENCHANTED REALM OF THE QUEEN OF MUSIC
P E T E R   H Ü B N E R  –  N A T U R A L   M U S I C   C R E A T I O N
PART  VII