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THE FORCE-FIELDS IN MUSIC
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The System of Inner Creativity

 

 

Classical Motif-Technique

 


The Battlefield of the Innermost Human-Qualities


The Influence of Classical Music

 


The Musical Handling of the Forces of Life

Motif Technique

The natural and well-designed application of qualities of the human character in the garment of music is called motif-technique. Thereby, inner creativity is the practical mechanism through which the composer projects his inner cognition in the outward direction and transforms it into the audible experience.

When the musical creator is aware of this process in detail, and when he realizes the human faculties as the unity of his inner cognition, his inner experience, and inner hearing, then this art is called "motif-technique" in classical composition.

The range of influence of the motif-technique is the battlefield of the inner-human driving forces: the qualities of the composer, the qualities of the listener, and the qualities of man in general.

The deep influence of classical music is explained by the masterful handling of that field of experience of our innermost, individual existence which constitutes our true life and which reveals itself to the listener in the composition.

Thus, the motif-technique is the meaningful handling – according to its own inherent laws – of our innermost impulses of life, of those elements which are closer to life than the entire outer world of phenomena.

 

                                                                                 

 

 

 

 

© AAR EDITION INTERNATIONAL 1982

 

 

P E T E R   H Ü B N E R  –  N A T U R A L   M U S I C   C R E A T I O N

CLASSICAL
MUSIC CREATION

V
THE
FORCE–FIELDS
IN MUSIC

The Musical Performers and
Their Laws

The Motif

The Masculine and
the Feminine
Musical Motif

Training the Free
Formative Will

Motif-Recognition

Motif-Technique

Power and
Powerlessness of Musical Interpretation

Scenes from the
Inner World
of Human Evolution

Integration of Levels
of Creativity

The Differentiated
Apprehension
of the Power
of the Harmony

The Perfection of the
Formative Forces
in Music

The Melody

The Manifold Shape
of the Melody

The Path of the Human Character in the
Musical Form

The Sequence
in Music

The Gate of Harmony
to the Outer Music

 

PART V
PART V