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MUSIC
R & D
R & D
PART I
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Music Analysis

 

 

 

 

 

 



The Function
of the Musical Sound-Space



The Function of Musical Thinking

 

 

The Inner Act
of Cognition

 

 

 

 

 

 

Controlling the Musical Orders


Responsible Authorship

Simply by ascertaining how pleasant his own musical thought is to himself, his feeling informs the composer about the effect of his thought on its surroundings. Thus, through the process of feeling, the discriminating intellect of the musical creator analyzes the effect of his musical thought on its environment. The faculty of understanding of his intellect analyzes the spectrum of his musical thought, and identifies the emotional parameters which impel it.
His intellect, with the help of the feeling inherent in it, examines the integration of these musical parameters and determines the harmonious development of the composition: the inner musical event, as perceived by the sense of hearing, is the sounding testimony of this process, and it heralds human feeling and understanding.

Thus, the composer uses his mind as a medium to portray the musical sound-space: to describe his own subjective sphere.
In this way, for the musical creator, the objective musical sound-space, that which sounds inside, becomes the instrument for describing the subjective in general.

The natural process of composing arises all by itself, and it ends with the musical creator performing, and simultaneously listening, to his own concert within himself. The composer submits this process of his musical thinking to the natural, innermost control of his feeling and understanding, and this is his own inner act of will.

This conscious, inner act of the composer creating music in his awareness becomes lateron a manifold inspiration for the music lover striving towards universal joy of life;

In this way a manifold structure of musical orders originates within the composer's inner world of cognition, and his organizing understanding, under the guidance of his feeling, directs this inner musical course of evolution.

 

                                                                                 

 


© AAR EDITION INTERNATIONAL 1982

 

 

P E T E R   H Ü B N E R  –  N A T U R A L   M U S I C   C R E A T I O N

NATURAL
MUSIC CREATION

I.
THE CLASSICAL TEACHING SCOPE
OF MUSIC

The World of
Enlivened Silence

The Origin of the
Art of Sound

Responsible
Authorship

The Firmament
of Music

Creative
Music Listening

Writing Down
the Score

The Conventional
Practice of Notation

The Error of the Interpreter

The Language
of Truth

THE PROCESS OF CREATING MUSIC
PART I
ü