| SPONSORSHIP & OFFERS | ||
| 1968 B. Schott’s Söhne, Mainz Written offer by the internationally renowned music publishers, B.Schott's Söhne, Mainz, to publish the electronic theatrical work “Kausalität” (Causality). | ||
| 1968 Agfa-Gevaert Extensive sponsorship of his musical creations by the company Agfa-Gevaert Leverkusen, through its chairman of the board of directors. |
1968 BASF, Ludwigshafen Extensive sponsorship of his musical creations by the company BASF, Ludwigshafen, through its chairman of the board of directors. | |
| 1968 EMI-Electrola As a consequence of the composer’s participation in the International Week for Experimental Music during the Berlin Festival Weeks: An offer from EMI-Electrola, to bring out his music internationally on disc (associated presentations and preliminary discussions with EMI-Electrola). |
1968 Leybold-Heraeus Sponsorship by the board of directors of the company for the realisation and duplication of the production book for the opera “Kausalität” (Causality) 1968 WDR (West German Radio) Sponsorship for the realisation and duplication of the orchestral score for the opera “Curse or Blessing: yet” through the director Klaus von Bismarck. | |
| 1968 Harry Buckwitz Written offer from Harry Buckwitz, President of the German Academy of Performing Arts in Frankfurt and General Director of the City Theatre in Frankfurt, to collaborate in the realisation of his electronic theatrical work “Kausalität” (Causality) . |
1968 Oscar Fritz Schuh Offer in writing from the Director of the Deutsches Schauspielhaus, Hamburg, Oscar Fritz Schuh for his cooperation on the realization of the Stage Play “Curse or Blessing: yet”. | |