intelligence           creativity               harmony
    
    
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AAR EDITION INTERNATIONAL
 R & D
Study of the Analysis in the Musical Fields of Knowledge

Creating the voiced consonant in the
musical force-fields

Synthesis of the voiced consonant in the musical process
of creating – 7.2.6.02.00

.  in the musical harmony-space
.  in the musical sequence-space
.  in the musical motif-space
.  in the musical tone-space
.  in the acoustic space




SEMINAR

   7.2.6.02.01
Creating the voiced consonant at the transition from the force-field of our
self-awareness to the force-field of our intellect


   7.2.6.02.02
Creating the voiced consonant at the transition from the force-field of our intellect to the force-field of the musical harmony-space


   7.2.6.02.03
Creating the voiced consonant at the transition from the force-field of the musical harmony-space to the force-field of our feeling


   7.2.6.02.04
Creating the voiced consonant at the transition from the force-field of our feeling to the force-field of the musical sequence-space


   7.2.6.02.05
Creating the voiced consonant at the transition from the force-field of the musical sequence-space to the force-field of our understanding


   7.2.6.02.06
Creating the voiced consonant at the transition from the force-field of our understanding to the force-field of the musical motif-space


   7.2.6.02.07
Creating the voiced consonant at the transition from the force-field of the musical motif-space to the force-field of our hearing


   7.2.6.02.08
Creating the voiced consonant at the transition from the force-field of our hearing to the force-field of the musical sound-space


   7.2.6.02.09
Creating the voiced consonant at the transition from the force-field of the musical sound-space to the field of our inner voice


   7.2.6.02.10
Creating the voiced consonant at the transition from the field of our inner voice to the force-field of our mind


   7.2.6.02.11
Creating the voiced consonant at the transition from the force-field of our mind to the field of our neurophysiology


   7.2.6.02.12
Creating the voiced consonant at the transition from the field of our neurophysiology to the force-field of the acoustic space

 



© Aar Edition International, 1986

 

a useful connection
science                  music                     art

STUDY OF MUSIC
STUDY OF THE INNER FORCES
OF MAN

Foreword

STUDY OF THE SYNTHESIS IN THE MUSICAL FIELDS
OF KNOWLEDGE

Seminar Series 7.2.6.01.00 – 7.2.6.13.00

Creation of sound –
vowel & consonant

Creating the
voiced consonant

Creating the
unvoiced consonant

Creating the formants

Creating the vowel

Creating the
overtone mechanics

Creating the decay
of the sound

Creating the attack
of the sound

Creation of the aperiodic vibrations
of the sound

Creation of the
wave sequences
of sound

Creation the periodic vibration of the sound

Creating the overtone spectrum of the sound

Creating the
basic sound

STUDY OF MUSIC STUDY OF THE INNER FORCES OF MAN
Study of the Analysis in the Musical Fields of Knowledge