intelligence           creativity               harmony
    
    
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AAR EDITION INTERNATIONAL
 R & D
Study of the Synthesis in the Musical Fields of Knowledge

Integrated creation of idea, voiced consonant and tone in the musical force-fields
Synthesis of idea, voiced consonant and tone in the
musical process of creating – 7.2.1.02.00




SEMINAR

   7.2.1.02.01
Integrated creation of idea, voiced consonant and tone at the transition from the force-field of our self-awareness to the force-field of our intellect

   7.2.1.02.02
Integrated creation of idea, voiced consonant and tone at the transition from the force-field of our intellect to the force-field of the musical harmony-space

   7.2.1.02.03
Integrated creation of idea, voiced consonant and tone at the transition from the force-field of the musical harmony-space to the force-field of our feeling

   7.2.1.02.04
Integrated creation of idea, voiced consonant and tone at the transition from the force-field of our feeling to the force-field of the musical sequence-space

   7.2.1.02.05
Integrated creation of idea, voiced consonant and tone at the transition from the force-field of the musical sequence-space to the force-field of our understanding


   7.2.1.02.06 Integrated creation of idea, voiced consonant and tone at the transition from the force-field of our understanding to the force-field of the musical motif-space


   7.2.1.02.07 Integrated creation of idea, voiced consonant and tone at the transition from the force-field of the musical motif-space to the force-field of our hearing

   7.2.1.02.08
Integrated creation of idea, voiced consonant and tone at the transition from the force-field of our hearing to the force-field of the musical sound-space

   7.2.1.02.09
Integrated creation of idea, voiced consonant and tone at the transition from the force-field of the musical sound-space to the field of our inner voice

   7.2.1.02.10
Integrated creation of idea, voiced consonant and tone at the transition from the field of our inner voice to the force-field of our mind


   7.2.1.02.11
Integrated creation of idea, voiced consonant and tone at the transition from the force-field of our mind to the field of our neurophysiology


   7.2.1.02.12
Integrated creation of idea, voiced consonant and tone at the transition from the field of our neurophysiology to the force-field of the acoustic space

 



© Aar Edition International, 1986

 

a useful connection
science                  music                     art

STUDY OF MUSIC
STUDY OF THE INNER FORCES
OF MAN

Foreword

STUDY OF THE SYNTHESIS IN THE MUSICAL FIELDS
OF KNOWLEDGE

Seminar Series 7.2.1.01.00 – 7.2.1.13.00

Creation of idea,
sound & tone

Creation of idea,
voiced consonant & sound

Creation of iIdea, unvoiced consonant
& tone

Creation idea derivation,
the formants & the overtone spectrum

Creation of idea,
the vowel & the tone

Creation of overtone mechanics of the idea, the sound & the tone

Creation of the decays
of the idea, the sound & tones

Creation of the attacks of the idea, the sound & the tone

Creation of the aperiodic Idea chain
& the aperiodic vibrations of sound
& tone

Creation of the Idea sequence & the
wave sequences
of sound & tone

Creation of the periodic Idea chain & the periodic vibrations of sound & tone

Creation of the Idea derivation & the overtone spectra of sound & tone

Creation of basic Idea, basic sound & basic tone

 

STUDY OF MUSIC STUDY OF THE INNER FORCES OF MAN
Study of the Synthesis in the Musical Fields of Knowledge